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		<title>La programmation danse à Avignon en 2006 : le consensus de la modernité</title>
		<link>http://cecileguedon.wordpress.com/2009/06/06/la-programmation-danse-a-avignon-en-2006-le-consensus-de-la-modernite/</link>
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		<pubDate>Sat, 06 Jun 2009 17:16:28 +0000</pubDate>
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				<category><![CDATA[Paris]]></category>

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		<description><![CDATA[Jeudi 27 avril 2006 La programmation danse à Avignon en 2006 : le consensus de la modernité L’été dernier, l’Histoire des Larmes par le flamand Jan Fabre, artiste associé en 2005, ouvrait le bal d’un festival au parfum de scandale. La soixantième édition du festival d’Avignon s’annonce-t-elle sous de plus sereins auspices ? Depuis la nomination [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecileguedon.wordpress.com&amp;blog=2107847&amp;post=37&amp;subd=cecileguedon&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div class="date">Jeudi 27 avril 2006</div>
<div class="divTitreArticle">
<h2><a class="titreArticle" href="http://www.ruedutheatre.info/article-2555133.html"><span style="color:#9e5205;font-size:medium;">La programmation danse à Avignon en 2006 : le consensus de la modernité</span></a></h2>
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<div class="contenuArticle">
<div style="text-align:justify;"><span style="font-weight:bold;"> </span></div>
<div style="text-align:justify;"><span style="font-weight:bold;"> </span></div>
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<div style="text-align:justify;"><span style="font-weight:bold;">L’été dernier, l’</span><span style="font-weight:bold;font-style:italic;">Histoire des Larmes</span><span style="font-weight:bold;"> par le flamand Jan Fabre, artiste associé en 2005, ouvrait le bal d’un festival au parfum de scandale. La soixantième édition du festival d’Avignon s’annonce-t-elle sous de plus sereins auspices ? </span></div>
<div style="text-align:justify;"><span style="font-weight:bold;"> </span></div>
<p style="text-align:justify;">Depuis la nomination des directeurs de programme Hortense Archambault et Vincent Baudriller en 2003, le festival fondé par Jean Vilar semblait devenir le fer de lance d’un engagement gouvernemental : faire d’Avignon un lieu engagé dans le débat de la modernité. Après la suppression du classement par genre en 2004, la programmation de 2005 a suscité un débat théorique remettant en cause jusqu’à la définition même de la notion d’œuvre théâtrale. Au vu de la tempête médiatique de l’année dernière, où les programmateurs ont-ils situé aujourd’hui les frontières du théâtre ?<br />
<span style="font-weight:bold;"> </span><br />
<span style="font-weight:bold;">Choix provocateurs mais valeurs sûres</span></p>
<p style="text-align:justify;">La liste des spectacles de cette année semble jouer la carte des valeurs sûres. L’artiste associé, Josef Nadj, est un chorégraphe consensuel, et la place accordée à de grands noms de la danse moderne aiguille le spectateur vers l’impression d’une tonalité apaisée. Le chorégraphe crée <span style="font-style:italic;">Asobu</span> (« jeu » en japonais) à partir de textes de Michaux dans la cour d’honneur du Palais des Papes, avec des danseurs japonais et musiciens, et <span style="font-style:italic;">Paso Doble</span>, en duo avec le plasticien catalan Barcelo dans l’église des Célestins. Des artistes reconnus, d’Alain Platel à Pippo Delbono en passant par François Verret, exhibent sans grande prise de risque des cautions musicales ou littéraires. Alain Platel, chorégraphe connu pour la mixité de ses sources d’inspiration &#8211; mélangeant parfois l’intervention de trapézistes et d’acteurs sourd-muets &#8211; monte <span style="font-style:italic;">Vsprs</span>, à partir d’œuvres de Monteverdi.<br />
<span style="font-weight:bold;"><br />
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<div style="text-align:center;"><span style="font-weight:bold;"><img class="CtreTexte" src="http://idata.over-blog.com/0/00/35/42/in-2006/image_img_poussiere.jpg" alt="" /></span></div>
<div style="text-align:center;"><span style="font-weight:bold;"> </span><span style="font-size:xx-small;">Poussière de soleil, chorégraphie de Josef Nadj, 2004 © Laurent Philippe<br />
</span></div>
<div style="text-align:center;"></div>
<p style="text-align:justify;">Surtout, on lit en filigrane que le croisement des genres au sein de la programmation est réaffirmé en sourdine, pour ne pas effrayer les spectateurs échaudés par la dernière canicule estivale. De façon plus explicite, la présence d’un chorégraphe comme Pippo Delbono (Récits de juin au Musée Calvet) ou d’un Jan Lauwers (Le Bazar du Homar au Cloître des Célestins), artistes délibérément inclassables, provocateurs mais reconnus, laisse entrevoir pour 2006 le simple maintien des positions de l’année dernière avec des figures de plus grande envergure. Pippo Delbono a fait ses premiers pas dansés auprès de la compagnie de Pina Bausch, il travaille depuis la fondation de sa propre compagnie avec « des non-professionnels » du spectacle, souffrant pour certains de graves troubles psychomoteurs. Jan Lauwers élabore, au sein de la Needcompany un “théâtre d’art” ou une forme d’art interdisciplinaire, qui a mélangé volontiers jusqu’à présent les pièces du répertoire shakespeariens, les monologues et les solos de danse, des projets de cinéma et de vidéo &#8211; le dramaturge, également plasticien, a réalisé des oeuvres in situ dans le cadre de l’exposition Grimbergen 2002 en même temps qu’un long métrage <span style="font-style:italic;">Goldfish Game</span>.</p>
<p style="text-align:justify;"><span style="font-weight:bold;">En Allemagne, l&#8217;interdisciplinarité ne choque pas</span></p>
<p style="text-align:justify;">En réalité, le travail interdisciplinaire de tels artistes, provocateur dans son principe même n’étonnera que ceux qui ont été secoués par la violente onde de choc de la controverse de 2005. En Allemagne, par exemple, où Pina Bausch a élaboré le &#8220;Tanz Theater&#8221; avec une véritable liberté et rigueur formelle, ces problématiques n’ont pas lieu d’être et n’ont jamais suscité une telle impasse théorique, ni une telle désertion des salles par le public.<br />
Meg Stuart a récemment produit l’opus <span style="font-style:italic;">Damaged Goods</span> sur la scène de la Volksbühne à Berlin en janvier 2006. En mêlant effets dramaturgiques, projections vidéo et musique électronique, elle construit un travail d’une grande précision gestuelle, et le propos décapant de sa pièce a été applaudi dans des lieux aussi institutionnels que le Théâtre de la Ville à Paris.<br />
Dans certains lieux plus confidentiels de la création « off » berlinoise, les jeunes chorégraphes font de l’interdisciplinarité une pratique virtuose – il n’est que de suivre la production du festival berlinois TanzTage à la Sophiensaele de janvier 2006, et en particulier la &#8220;multimediale Tanzperformance&#8221; de Yui Kawaguchi pour en mesurer l’importance. Personne ne pose la question de la légitimité de la chorégraphe japonaise, qui crée un style original inspiré du ballet, du break-dance, et de la lutte japonaise avec une utilisation magistrale de la vidéo projetée sur le décor.</p>
<p style="text-align:justify;">Depuis le début du siècle avec les Ballets Russes, cette interdisciplinarité des arts du spectacle est une règle qui favorise l’éclosion des talents, et la danse s’est depuis lors distinguée par son ouverture et sa capacité à réunir de grandes figures artistiques au profil extrêmement divers. Sans doute faut-il voir dans la controverse qui a agité les rangs des festivaliers en juillet 2005 un phénomène mineur aux enjeux de faible importance. La personne de Jan Fabre aura probablement été l’épicentre d’une polémique dirigée contre son art plus que contre la création contemporaine. Il y aura à Avignon en 2006 des artistes au statut tout autant incertain mais au talent incontestable.</p>
<div style="text-align:right;"><span style="font-weight:bold;">Cécile GUEDON</span> (Paris)</div>
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<div class="option afterArticle"><span class="publishedBy">par Cécile GUEDON</span> <span class="topic">publié dans : <a class="linkTopic" href="http://www.ruedutheatre.info/categorie-607508.html"><span style="color:#de7008;font-size:xx-small;">Festival In 2006</span></a> </span><span class="spanAddComment"><a class="linkAddComment" href="http://ann.over-blog.com/ajout-commentaire.php?ref=3542&amp;ref_article=2555133"><span style="color:#de7008;font-size:xx-small;">ajouter un </span></a></span></div>
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		<title>Casting Zizek: Manliness as a Masquerade</title>
		<link>http://cecileguedon.wordpress.com/2008/03/03/casting-zizek-manliness-as-a-masquerade/</link>
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		<pubDate>Mon, 03 Mar 2008 10:34:15 +0000</pubDate>
		<dc:creator>cecileguedon</dc:creator>
				<category><![CDATA[Reviews]]></category>

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		<description><![CDATA[Casting Žižek:    Manliness as a Masquerade By: Dr. Suzana Milevska, Dr. Katerina Kolozova We will look at the gap between representation and meaning in two recent films about the Slovenian philosopher and psychoanalytical film theorist Slavoj Žižek: “Žižek!,” 2005, by Astra Taylor, and “The Pervert’s Guide to Cinema,” 2006, by Sophie Fiennes. Both semi-documentaries [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecileguedon.wordpress.com&amp;blog=2107847&amp;post=47&amp;subd=cecileguedon&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<h1>Casting Žižek:</h1>
<h1>  </h1>
<h1>Manliness as a Masquerade</h1>
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<div><b>By:</b></p>
<div style="display:inline;"><a href="http://cecileguedon.wordpress.com/wp-admin/#author-0">Dr. Suzana Milevska</a>,</div>
<div style="display:inline;"><a href="http://cecileguedon.wordpress.com/wp-admin/#author-1">Dr. Katerina Kolozova</a></div>
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<div><span>We will look at the gap between representation and meaning in two recent films about the Slovenian philosopher and psychoanalytical film theorist Slavoj Žižek: “Žižek!,” 2005, by Astra Taylor, and “The Pervert’s Guide to Cinema,” 2006, by Sophie Fiennes. Both semi-documentaries feature Žižek as the main protagonist. </span></div>
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<div><span>He “acts out” his addiction to analyse everything: films, jokes, communism, male/female relationships, “even homosexuals if you like.” Absolutely everything is submitted to his psychoanalytical magnifying glass that enlarges the hidden mechanisms of human desire in order to “make the things clear.” </span></div>
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<div><span>However, we want to argue that if Žižek is read with the “white, male, ex-Yugoslav and (ex-) Balkan Žižek” there are many inconsistencies and slips to be found in his own arguments. </span></div>
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<div><span>The deconstruction of Žižek’s statements is a methodological detour to the testimonial narrative of “Žižek the man-author” as we knew him in our ex-Yugoslav (and Balkan) context. </span></div>
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<div><span>It is an attempt to read the discourse that holds the position of “imperial” authority endowed by the global centers of academic power in the humanities by applying the politics of location shared by both presenters and Slavoj Žižek, who inefficiently tries to distance himself from it.</span></div>
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<div><span> In addition a collage of his writing and visual documentation of his public and political actions will demonstrate that not only is his body stripped off clothes but also his ideas are stripped off any ethical refinement while hijacking the feminist discourse. </span></div>
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<div><span>If womanliness in Joan Riviere&#8217;s terms could be assumed and worn as a mask “both to hide the possession of masculinity and to avert the reprisals expected if she was found to possess it“ one could ask: is not the over-exposed manliness of the renowned philosopher conceptualised as a mask/epitome of the “real” Balkan manliness?</span></div>
<p><a href="http://hs7.cgpublisher.com/proposals/233/index_html#author-0">http://hs7.cgpublisher.com/proposals/233/index_html#author-0</a></p>
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		<title>Mercredi 5 Mars 2008 &#8211; Creative Writing</title>
		<link>http://cecileguedon.wordpress.com/2008/03/03/mercredi-5-mars-2008-creative-writing/</link>
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		<pubDate>Mon, 03 Mar 2008 10:33:44 +0000</pubDate>
		<dc:creator>cecileguedon</dc:creator>
				<category><![CDATA[French - Beginners]]></category>

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		<description><![CDATA[Reading : Jacques Prévert, Paroles (Paris: Gallimard, 1946). Sur elle La fleur perdue Meurt Son cœur Aujourd’hui Instantané<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecileguedon.wordpress.com&amp;blog=2107847&amp;post=50&amp;subd=cecileguedon&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p style="margin:0 0 10pt;" class="MsoNormal"><b><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Reading</span></b><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"> : Jacques Prévert, <i>Paroles</i> (Paris: Gallimard, 1946). </span></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Sur elle</span></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">La fleur perdue</span></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Meurt</span></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Son cœur</span></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Aujourd’hui</span></p>
<p><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Instantané</span></p>
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		<title>Fevrier 2008 &#8211; Creative Writing</title>
		<link>http://cecileguedon.wordpress.com/2008/03/03/fevrier-2008-creative-writing/</link>
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		<pubDate>Mon, 03 Mar 2008 10:30:47 +0000</pubDate>
		<dc:creator>cecileguedon</dc:creator>
				<category><![CDATA[French - Beginners]]></category>

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		<description><![CDATA[Reading : Jacques Prévert, Paroles (Paris: Gallimard, 1946).  Là Un fils amoureux Choisit Le papier perdu Dans un futur Subit<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecileguedon.wordpress.com&amp;blog=2107847&amp;post=49&amp;subd=cecileguedon&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><b><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Reading</span></b><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"> : Jacques Prévert, <i>Paroles</i> (Paris: Gallimard, 1946). </span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"> </span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Là</span></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Un fils amoureux</span></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Choisit</span></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Le papier perdu</span></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Dans un futur</span></p>
<p><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';"></span><span style="font-size:10pt;line-height:115%;font-family:'Georgia','serif';">Subit</span></p>
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		<title>ICA, 4. 29 February 2008</title>
		<link>http://cecileguedon.wordpress.com/2008/02/20/ica-4-29-february-2008/</link>
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		<pubDate>Wed, 20 Feb 2008 15:06:10 +0000</pubDate>
		<dc:creator>cecileguedon</dc:creator>
				<category><![CDATA[Events]]></category>

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		<description><![CDATA[Fun and Games: The Gallery as Adult Play Centre Mark Boyle and Joan Hills, &#8216;Oh What a Lovely Whore&#8217;, ICA 1965, film still of event. 29 February 2008 ICA founding president Herbert Read described the ICA at its inception as an &#8220;adult play centre&#8221;. This was a serious declaration: Read believed that &#8220;aggression is kept in check [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecileguedon.wordpress.com&amp;blog=2107847&amp;post=48&amp;subd=cecileguedon&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<h2><b><font size="5" face="Times New Roman"><span style="font-size:18pt;">Fun and Games: The Gallery as Adult Play Centre</span></font></b></h2>
<div><font size="3" face="Times New Roman"><span style="font-size:12pt;"><img width="408" src="http://www.ica.org.uk/thumbnail.php?max=408&amp;id=3403" alt="Mark   Boyle and Joan Hills, 'Oh What a Lovely Whore', ICA 1965, film still of event." height="265" /></span></font></p>
<div><font size="3" face="Times New Roman"><span style="font-size:12pt;">Mark Boyle and Joan Hills, &#8216;Oh What a Lovely Whore&#8217;, ICA 1965, film still of event.</span></font></div>
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<div><!-- for normal date events, listings the dates in scattered ranges --><font size="3" face="Times New Roman"><span style="font-size:12pt;">29 February 2008<!-- for seasons, that get the date range from the peernav, ie via the keywordsearch --> </span></font></div>
<p><!-- not used, can be taken out   29&nbsp;February&nbsp;2008--></p>
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<div><font size="3" face="Times New Roman"><span style="font-size:12pt;">ICA</span></font> founding president Herbert Read described the ICA at its inception as an &#8220;adult play centre&#8221;. This was a serious declaration: Read believed that &#8220;aggression is kept in check via sublimation &#8211; namely through play.&#8221; Jasia Reichardt&#8217;s 1969 exhibition Play Orbit was a literal articulation of Read&#8217;s commitment to play featuring toys and games as works to be considered as art, however, within the concept of &#8216;play&#8217; arguably lies an assumption of a more direct act of participation.</div>
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<div><font size="3" face="Times New Roman"><span style="font-size:12pt;">In 1965 Mark Boyle and Joan Hills staged an exhibition/happening, Oh What a Lovely Whore. The title was not only irreverent, but also alluded to the violence which Boyle and Hill felt was generally inflicted upon a passive, viewing public. So the artists informed the audience that if they wanted a happening they would have to do it themselves. In This Success/This Failure (ICA 2007), Tino Sehgal presented no objects, but instead a group of playing children. Upon entering the ICA&#8217;s lower gallery one of the children would declare to the visitor that the exhibition was titled either This Success or This Failure, after which the visitor could opt to join in the game. </span></font></div>
<div><font size="3" face="Times New Roman"><span style="font-size:12pt;"></span></font></div>
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<div><font size="3" face="Times New Roman"><span style="font-size:12pt;">Were Boyle and Hill right, is the audience a victim in its passivity? Or are strategies of &#8216;involvement&#8217; off-putting and even unwanted? Is play a vital dimension for engagement or a banal distraction from the serious business of contemporary exhibition making? </span></font></div>
<div><font size="3" face="Times New Roman"><span style="font-size:12pt;"></span></font></div>
<div><font size="3" face="Times New Roman"><span style="font-size:12pt;">Speakers: <strong><b><font face="Times New Roman">Sebastian Boyle</font></b></strong>, Boyle Family; <strong><b><font face="Times New Roman">Jessica Morgan</font></b></strong>, curator of contemporary art, Tate Modern; <strong><b><font face="Times New Roman">Louise Hojer</font></b></strong>, art theorist and curator; <strong><b><font face="Times New Roman">Dr Ricarda Vidal</font></b></strong>, cultural critic and short film curator. Chair: <strong><b><font face="Times New Roman">Marko Daniel</font></b></strong>, curator of public programmes, Tate Modern.</span></font></div>
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			<media:title type="html">Mark   Boyle and Joan Hills, 'Oh What a Lovely Whore', ICA 1965, film still of event.</media:title>
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		<title>Sarkozy and God</title>
		<link>http://cecileguedon.wordpress.com/2008/02/07/sarkozy-and-god/</link>
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		<pubDate>Thu, 07 Feb 2008 20:33:52 +0000</pubDate>
		<dc:creator>cecileguedon</dc:creator>
				<category><![CDATA[French - Newspapers]]></category>

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		<description><![CDATA[Sarkozy and God Patrice de Beer The French president&#8217;s vision of a renewed place for religion in public life is at odds both with his country&#8217;s modern history and his own character, says Patrice de Beer. 6 &#8211; 02 &#8211; 2008 http://www.opendemocracy.net/article/sarkozy_and_god The French president elected in May 2007 might not have changed his country [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecileguedon.wordpress.com&amp;blog=2107847&amp;post=46&amp;subd=cecileguedon&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<h2>Sarkozy and God</h2>
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<div class="multiple_authors"><a href="http://cecileguedon.wordpress.com/author/Patrice_de_Beer.jsp">Patrice de Beer</a></div>
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<div class="article-summary">The French president&#8217;s vision of a renewed place for religion in public life is at odds both with his country&#8217;s modern history and his own character, says Patrice de Beer.</div>
<div class="info-submitted"></div>
<div class="info-submitted">6 &#8211; 02 &#8211; 2008</div>
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<p><a href="http://www.opendemocracy.net/article/sarkozy_and_god">http://www.opendemocracy.net/article/sarkozy_and_god</a></p>
<p>The French president elected in May 2007 might not have changed his country as much as he and his supporters (at home or abroad) hoped or as much as his opponents feared. But Nicolas Sarkozy&#8217;s craving for &#8220;rupture&#8221; with a past he regards as demonic &#8211; one, moreover, that can seem to stretch back far beyond the conservative ogre-year of 1968 to that of the 1789 French revolution itself &#8211; is undiminished. Now, Sarkozy&#8217;s ambitious desire to redress the flaws of his nation&#8217;s predecessors has become especially blatant in two areas: the <em>pipolisation</em> of politics (to use the inventive new French word), epitomised by his highly publicised &#8220;liaison&#8221; &#8211; and subsequent <a href="http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/02/03/wsarko103.xml">marriage</a> &#8211; with Italian singer and former model Carla Bruni); and the role of religion in the life of a country which has lived secularism as a dogma since the law establishing &#8220;separation of church and state&#8221; in 1905.</p>
<p>Sarkozy&#8217;s whirlwind romance may be a recent development, but the same cannot be said of his interest in religion. When he was interior minister, he published a book on the topic (<em><a href="http://www.editionsducerf.fr/html/fiche/ficheauteur.asp?n_aut=7108"><span class="italic">La République, les religions, l’espérance</span></a></em><em> </em>[<em>Republic, Religion, Hope</em>], 2004), and played a crucial role in establishing the <em>Conseil Francais du Culte Musulman</em> (the<font size="-1"> </font>National Council of the Muslim Faith [<a href="http://www.journal-officiel.gouv.fr/association/index.php?ACTION=Rechercher&amp;HI_PAGE=1&amp;HI_COMPTEUR=0&amp;original_method=get&amp;WHAT=culte+musulman&amp;JTH_ID=&amp;JAN_BD_CP=75013&amp;JRE_ID=&amp;JAN_LIEU_DECL=&amp;JTY_ID=&amp;JPA_D_D=07%2F06%2F2003&amp;JPA_D_F=07%2F06%2F2003">CNCM</a>]), a body designed to represent an Islam <em>a la Francaise</em> in the interests of containing fundamentalism and terrorism in the aftermath of 9/11.</p>
<p><span class="pullquote_new">Patrice de Beer is former London and Washington correspondent for <em>Le Monde </em></span></p>
<p><span class="pullquote_new"></span><span class="pullquote_new"><strong>A beatific vision</strong></span></p>
<p><span class="pullquote_new"></span><span class="pullquote_new">More widely, Sarkozy has long preached the message of a larger place for religious &#8220;forces&#8221; in society and in state affairs. This idea always touches a raw nerve in a secular society groomed by ideas from the &#8220;age of Enlightenment&#8221; and its leading figures from Diderot and Voltaire to Victor Hugo and Jean-Paul Sartre; even a significant number of France&#8217;s Roman Catholics (less than 20% of whom practice their faith) share the worries of many of their compatriots.</span><span class="pullquote_new"> </span><span class="pullquote_new">A passage in Sarkozy&#8217;s book expresses his argument: &#8220;I am convinced that religious spirit and practice can contribute to appeasing and regulating a free society (&#8230;) One would be wrong to limit the church&#8217;s role to spirituality&#8221;.</p>
<p></span>It is evident that this is a highly sensitive issue in a contemporary Europe where so many countries are grappling with the public presence, face, and agency of religion in many areas of life (law, education, employment, gender roles, security, and Europe&#8217;s own constitutional foundations). But Sarkozy is undeterred, and has made his theme a centrepiece of his public statements during two official visits to highly symbolic destinations: the Vatican and Saudi Arabia.</p>
<p>In December 2007 in Rome, the president made a <a href="http://www.iht.com/articles/ap/2007/12/20/europe/EU-GEN-Vatican-France-Sarkozy.php">statement</a> that was as emphatic as it was anathema to a majority of French people:</p>
<p>&#8220;France&#8217;s roots are essentially Christian&#8230;A man who believes (in God) is a man filled with hope. And it is in the Republic&#8217;s interest that there should be many believers. Gradual emptying of rural parishes, spiritual desertification of suburbs, vanishing of (religious sponsored) youth clubs or shortage of priests have not made the French happier. The school teacher will never replace the priest or the minister when it comes to passing down values or learning the differences between Good and Evil.&#8221;</p>
<p>In January in Riyadh, Sarkozy went even further. After castigating fanaticism as a perversion of religion and quoting the word &#8220;God&#8221; a dozen times &#8211; something unheard of for a French leader &#8211; he added: &#8220;I don&#8217;t know of any country whose heritage, culture and civilisation are not based on religious roots. It is from religion&#8230;that we first learned the principles of universal morals, the universal idea of human dignity&#8221;.</p>
<p>He went on to <a href="http://www.iht.com/articles/2008/01/16/europe/france.php">praise</a> the moderation and wisdom of Saudi Arabia&#8217;s rigid brand of Islam: &#8220;Regarding the condition of women and freedom of expression, Saudi Arabia has also taken action, slowly, it is true&#8221;. Whether or not Sarkozy&#8217;s motives here included a desire to please King Abdullah (whose support he needs in fighting Islamic terrorism and boosting French exports and jobs in a dire economic situation), it is rare indeed that Riyadh is lauded for its human-rights policy.</p>
<p>France&#8217;s law of 1905 effectively carved secularism into constitutional stone. The result was to defuse tensions and passions that had bubbled for decades, and lay the foundation of a new settlement where <em>la paix scolaire</em> between the state and religious schools became a <a href="http://cecileguedon.wordpress.com/faith-europe_islam/article_1811.jsp">broadly accepted</a> fact, and where religions and clerics (from majority Catholics to minority Protestants, Jews and Muslims &#8211; their fundamentalist currents excepted) have abided by the separation of church and state. All heads of state and government have hitherto avoided any hint of what could look like reopening old wounds (see Johannes Willms, &#8220;<a href="http://cecileguedon.wordpress.com/faith-europe_islam/article_1753.jsp">France unveiled: making Muslims into citizens?</a>&#8220;, 26 February 2004).</p>
<p>In this context, Sarkozy&#8217;s vision of religion represents a clear <a href="http://www.christiantoday.com/article/sarkozy.breaks.french.taboo.on.church.and.politics/15760.htm">break</a> from a century-old consensus. It appears much closer to that of American Christian fundamentalists for whom God is at the heart of society, than to a French public whose day-to-day priorities are both much more mundane and lacking in evident enthusiasm for a resurgence of visible faith. It is also somewhat at odds with the private character of a man who has been twice divorced, and is not known as a strict churchgoer nor bound by traditional morals.</p>
<p>It is unsurprising then that Sarkozy&#8217;s imaginary model of a quasi-philosophical, almost &#8220;structural&#8221; partnership between God and Caesar has <a href="http://uk.reuters.com/article/worldNews/idUKL1712352920080117">upset </a>many. There is a suspicion that this consummate and calculating politician is using his writings and speeches with the agenda not simply of wooing &#8220;Christian&#8221; voters (or those who can be persuaded to identify with such an appeal) but of using religion for political purposes.</p>
<p>In his <a href="http://www.hoover.org/publications/policyreview/3399376.html">book</a>, Sarkozy wrote that &#8220;it would be wrong to limit the Church&#8217;s role to its spiritual aspects&#8230;Finally, hope in a better hereafter is a factor of appeasement and comforting in today&#8217;s life&#8221; as &#8220;republican morals can&#8217;t answer all questions or satisfy all expectations&#8221;. The historian and sociologist <a href="http://www.ambafrance-us.org/atoz/secular.asp">Jean Baubérot,</a> himself a Protestant as well as a longstanding critic of extreme strains of secularism, retorted in the daily newspaper <a href="http://www.liberation.fr/"><em>Libération</em></a> that the self-proclaimed &#8220;postmodernist&#8221; president was using faith &#8220;in favour of a neo- clerical effort to re-link religion and politics, and for the instrumentalisation of religion by politicians&#8221;.</p>
<p><strong>Into the mystic </strong></p>
<p>Sarkozy&#8217;s vision of a renovated French society regulated by religion is said to be <a href="http://www.brusselsjournal.com/node/2840">influenced</a> by his close adviser and speechwriter <a href="http://www.ft.com/cms/s/0/b6da6f08-a6c2-11dc-b1f5-0000779fd2ac.html?nclick_check=1">Henri Guaino</a>. Guaino has been accused (by philosopher <a href="http://www.bernard-henri-levy.com/">Bernard-Henri Lévy</a>, among others) of being inspired by the ultra-conservative writer <a href="http://www.dreyfus.culture.fr/en/on-the-threshold-of-the-20th-century/a-steady-but-controversial-government/bio-14-charles-maurras.htm">Charles Maurras</a> (1868-1952), who in the 1930s advocated a France ruled by a powerful monarch and guided by nationalism, tradition and an alliance between church and state &#8211; before becoming a collaborator with the Nazis during the second world war. In some speeches, Sarkozy&#8217;s phraseology is reminiscent of the Maurrassian imaginary; the opposition of the <em>pays reel</em> (real country) based on old national and ethnic values to the <em>pays virtuel</em> (virtual country, i.e. institutional France, called by Maurras the <em>pays légal</em>) is but one.</p>
<p>In praising France&#8217;s Christian past, Sarkozy lyrically adds: &#8220;It was a mistake to turn our back to our past and renege, in a way, on our obvious roots. Don&#8217;t tell me that we are contesting secularism. You just have to fly over France to see this long mantle of churches!&#8221;</p>
<p>The new faith <a href="http://www.time.com/time/world/article/0,8599,1704869,00.html">strategy</a> &#8211; or tactical turn &#8211; has, of course, angered the French left. It has also baffled a public opinion already disoriented by so many different presidential <em>réformes</em> or <em>ruptures</em> that they are at pains to understand its logic as well as to reconcile their president&#8217;s glitzy private life with his religious aspirations. Moreover, if this has pleased some clerics &#8211; most prominently the conservative archbishop of Paris, Cardinal <a href="http://www.catholic-hierarchy.org/bishop/bving.html">André Vingt-Trois </a>- it has also shocked those who appreciate the still-current benefits of the 1905 bill and who fear a new &#8220;war of the two Frances&#8221; if it were to be modified.</p>
<p>Bishop Claude Dagens, for example, is quoted as saying that &#8220;religions are not auxiliary political forces, they are vital references&#8221;. His colleague Bishop <a href="http://www.cef.fr/catho/personnalites/defois.php">Gérard Defois</a> feels that the &#8220;protest&#8221; dimension of the &#8220;word of God&#8221; is too often misunderstood. Some Franciscan monks are holding regular prayers meetings in the main square of Toulouse to protest against a phenomenon that can be viewed in the context of Sarkozy&#8217;s hardline rhetoric, namely the mistreatment by police of illegal immigrants. Christian Democrat MP and former centrist presidential candidate <a href="http://cecileguedon.wordpress.com/globalization-institutions_government/debeer_bayrou_4427.jsp">François Bayrou</a>, meanwhile, has sternly warned of the consequences of revising a century-old settlement for no good purpose, and reopening Pandora&#8217;s box.</p>
<p>Yet the Elysée palace is indeed preparing a revamp of the <a href="http://www.diplomatie.gouv.fr/en/france_159/label-france_2554/label-france-issues_2555/label-france-no.-60_3469/society-environment_3523/one-hundred-years-of-french-secularism_4562.html">1905 bill </a>in favour of what Sarkozy calls a &#8220;positive secularism&#8221; that is opposed to &#8220;fanaticism&#8221;. This might well be a crucial question for the president; but in a de-Christianised society where more and more people don&#8217;t even know what thousand-year old religious symbols mean, his messianic message could well miss its target. This is a leader who, after all, announced that he would retire for a few days in a monastery to meditate after his election, and then chose instead to go on a luxury cruise aboard a yacht belonging to a billionaire friend; and who has now been nicknamed &#8220;president bling-bling&#8221; for his glitzy style. Is Nicholas Sarkozy the man to teach the French anew about God? It is all &#8211; use an old French word &#8211; somewhat bizarre.</p>
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		<title>King&#8217;s College, MA in Literature and Medicine</title>
		<link>http://cecileguedon.wordpress.com/2008/02/06/kings-college-ma-in-literature-and-medicine/</link>
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		<pubDate>Wed, 06 Feb 2008 23:57:55 +0000</pubDate>
		<dc:creator>cecileguedon</dc:creator>
				<category><![CDATA[Job]]></category>

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		<description><![CDATA[http://www.kcl.ac.uk/schools/humanities/english/pg/masters/litmed.html Core Course: http://www.kcl.ac.uk/schools/humanities/english/pg/masters/litmedcore.html Literature and Medicine Core Course Teachers: Brian Hurwitz and Neil Vickers Course outline The primary question that this course seeks to address is &#8216;How can literature and medicine enrich each other?&#8217; It is intended to get students to think about the methodological difficulties of interdisciplinarity as well as its potential advantages. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecileguedon.wordpress.com&amp;blog=2107847&amp;post=27&amp;subd=cecileguedon&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.kcl.ac.uk/schools/humanities/english/pg/masters/litmed.html">http://www.kcl.ac.uk/schools/humanities/english/pg/masters/litmed.html</a></p>
<p>Core Course: <a href="http://www.kcl.ac.uk/schools/humanities/english/pg/masters/litmedcore.html">http://www.kcl.ac.uk/schools/humanities/english/pg/masters/litmedcore.html</a></p>
<p><a href="http://www.kcl.ac.uk/schools/humanities/english/pg/masters/litmedcore.html"></a></p>
<h1>Literature and Medicine Core Course</h1>
<div style="clear:both;margin-top:1em;width:98%;" class="normal">
<div>Teachers: Brian Hurwitz and Neil Vickers</div>
</div>
<div style="clear:both;margin-top:1em;width:98%;" class="normal">
<div><strong>Course outline</strong><br />
The primary question that this course seeks to address is &#8216;How can literature and medicine enrich each other?&#8217; It is intended to get students to think about the methodological difficulties of interdisciplinarity as well as its potential advantages. Among the topics the course will consider are: The uses and abuses of medical concepts in the study of literature<br />
- Literature and the representation of the body<br />
- Illness and the nature of artistic experience<br />
- Illness and the construction of character<br />
- Literature and pain<br />
- The patient as text<br />
- Illness as metaphor<br />
- Diagnosis and detection<br />
- Are literary encounters a surrogate form of clinical experience?<br />
- Is scientific writing literature?<br />
- Theatre of medical disorders</div>
</div>
<div style="clear:both;margin-top:1em;width:98%;" class="normal">
<div><strong>Texts studied</strong><br />
Among the books we will be reading, some or all of the following may be included:</div>
<div>Jane Austen, <em>Sense and Sensibility</em>;</div>
<div>Howard Brody, <em>Stories of Sickness</em> (rev. 2003),</div>
<div>Samuel Taylor Coleridge, <em>Notebooks</em> [Selections];</div>
<div>John Diamond, <em>because cowards get cancer, too</em>.</div>
<div>Arthur Conan Doyle, <em>A Study in Scarlet</em> and <em>The Speckled Band</em>;</div>
<div>Anne Hunsaker Hawkins, <em>Reconstructing Illness: Studies in Pathography</em> (rev. 1999); Cheryl Mattingly, <em>Healing Dramas and Clinical Plots: The Narrative Structure of Experience</em> (2003);</div>
<div>Kathryn Montgomery Hunter, <em>Doctors&#8217; Stories: The Narrative Structure of Medical Knowledge</em> (1991);</div>
<div>Ruth Picardie, <em>Before I Say Goodbye</em> (1998);</div>
<div>Dennis Potter, <em>The Singing Detective</em> (1986);</div>
<div>Elaine Showalter, <em>Hystories: Hysterical Epidemics and Modern Culture</em> (1997);</div>
<div>Susan Sontag, <em>Illness as Metaphor</em> (rev. 1990);</div>
<div>John Updike, <em>Self-consciousness</em> (1989),</div>
<div>Virginia Woolf, <em>On Being Ill</em> (1940).</div>
</div>
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		<title>European Cultural Citizenship</title>
		<link>http://cecileguedon.wordpress.com/2008/02/01/european-cultural-citizenship/</link>
		<comments>http://cecileguedon.wordpress.com/2008/02/01/european-cultural-citizenship/#comments</comments>
		<pubDate>Fri, 01 Feb 2008 18:15:43 +0000</pubDate>
		<dc:creator>cecileguedon</dc:creator>
				<category><![CDATA[Saint Paul]]></category>

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		<description><![CDATA[Eurozine Editorial Cultural Citizenship &#160; In the multicultural context of contemporary European and world societies, the concern with equality, integral to the formal-democratic concept of citizenship, is increasingly being complemented with a concern with difference. The concept of cultural citizenship responds to this development in stressing the centrality of culture for a concept of citizenship. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecileguedon.wordpress.com&amp;blog=2107847&amp;post=18&amp;subd=cecileguedon&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div class="author"><a href="http://cecileguedon.wordpress.com/authors/eurozine.html"><font color="#2d4592">Eurozine Editorial </font></a></div>
<h1>Cultural Citizenship</h1>
<p class="subTitle">&nbsp;</p>
<div>
<p class="article">In the multicultural context of contemporary European and world societies, the concern with equality, integral to the formal-democratic concept of citizenship, is increasingly being complemented with a concern with difference. The concept of cultural citizenship responds to this development in stressing the centrality of culture for a concept of citizenship. Cultural citizenship is not simply equated with nationality and is not about assimilation or tolerance, but instead is based on notions of recognition and empowerment. The concept proves a vital instrument for rethinking identity and difference and more specifically, for conceptualizing a Europe where a concern with social and political rights includes the full recognition of minority groups and cultural diversity.</p>
<p>Authors employing the concept of cultural citizenship are unanimous in stressing that it is an underdeveloped notion that, if it is not to remain simply on an abstract level, will have to be further theorized and articulated in connection to specific issues and particular contexts. Eurozine&#8217;s focus on &#8220;cultural citizenship&#8221; groups together a number of texts that, while not all dealing with the concept as such, put forward a sustained reflection on issues central to its articulation.</p>
<p>Introducing the focus is a text by <a href="http://www.eurozine.com/articles/2007-06-30-delanty-en.html"><font color="#2d4592">Gerard Delanty</font></a>, one of the main proponents and theorizers of the concept of cultural citizenship. Delanty&#8217;s notion of cosmopolitan citizenship is based on the sociological idea of cultural citizenship, an idea that, as he makes clear, shifts the focus of citizenship onto common experiences, learning processes, and discourses of empowerment. Delanty has particularly stressed the learning dimension of citizenship as opposed to the disciplinary dimension. Such an understanding of cultural citizenship is crucial to the development of strategies of empowerment based on the everyday dimension of citizenship.</p>
<p>We have selected a number of texts that, in one way or another, are very much relevant to this discussion. Not surprisingly, some of these texts address the question of translation (<a href="http://www.eurozine.com/articles/2004-01-08-ribeiro-en.html"><font color="#2d4592">Ribeiro</font></a>, <a href="http://www.eurozine.com/articles/2005-01-14-ivekovic-en.html"><font color="#2d4592">Ivekovic</font></a>). If understood as the establishment of a dialogic relationship where mutual intelligibility is developed without difference being sacrificed to the interests of blind assimilation, translation is indeed crucial to the learning processes leading to cosmopolitan citizenship. Widening the democratic canon, as proposed by <a href="http://www.eurozine.com/articles/2003-11-03-santos-en.html"><font color="#2d4592">Avritzer and Santos</font></a>, and, simultaneously, reflecting upon processes of exclusion, as <a href="http://www.eurozine.com/articles/2007-01-17-honnethstojanov-de.html"><font color="#2d4592">Axel Honneth</font></a> and <a href="http://www.eurozine.com/articles/2002-02-21-taylor-en.html"><font color="#2d4592">Charles Taylor</font></a> do, are an essential part of those learning processes.</div>
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		<title>Disciplinary citizenship versus cultural citizenship</title>
		<link>http://cecileguedon.wordpress.com/2008/02/01/disciplinary-citizenship-versus-cultural-citizenship/</link>
		<comments>http://cecileguedon.wordpress.com/2008/02/01/disciplinary-citizenship-versus-cultural-citizenship/#comments</comments>
		<pubDate>Fri, 01 Feb 2008 18:14:55 +0000</pubDate>
		<dc:creator>cecileguedon</dc:creator>
				<category><![CDATA[Saint Paul]]></category>

		<guid isPermaLink="false">http://cecileguedon.wordpress.com/?p=19</guid>
		<description><![CDATA[Gerard Delanty Citizenship as a learning process Disciplinary citizenship versus cultural citizenship In the dominant liberal discourse on citizenship, learning processes have tended to be reduced to citizenship classes and formal membership of the polity. In an article first published in 2003, Gerard Delanty contrasts this type of &#8220;disciplinary citizenship&#8221; with a notion of &#8220;cultural [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecileguedon.wordpress.com&amp;blog=2107847&amp;post=19&amp;subd=cecileguedon&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div class="author"><a href="http://cecileguedon.wordpress.com/authors/delanty.html"><font color="#2d4592">Gerard Delanty</font></a></div>
<h1>Citizenship as a learning process</h1>
<p class="subTitle">Disciplinary citizenship versus cultural citizenship</p>
<div class="blurb">In the dominant liberal discourse on citizenship, learning processes have tended to be reduced to citizenship classes and formal membership of the polity. In an article first published in 2003, Gerard Delanty contrasts this type of &#8220;disciplinary citizenship&#8221; with a notion of &#8220;cultural citizenship&#8221;. Delanty develops the notion of cultural citizenship in terms of learning processes at both the individual and collective levels; such processes, rather than merely demanding cognitive competence, have a developmental and transformative impact on the learning subject.</div>
<div>
<h2>Introduction</h2>
<p>In the last two decades, there has been a tremendous expansion in the discourse of citizenship. In one strand, perhaps the most well known one, communitarianism reshaped the notion of citizenship as a critique of the liberal concept of the citizen as the bearer of abstract rights. Building upon classical civic republicanism, communitiarianism brought the idea of citizenship in a substantive direction with a view of the citizen as an active and engaged member of society. For some time, the debate about citizenship was dominated by the liberal versus the communitarian perspectives. In more recent times, especially in the 1990s, additional approaches emerged, ranging from radical pluralism to cosmopolitanism (Delanty 2000). Radical pluralism rejected the somewhat conservative premises of the liberal communitarian controversy, and advocated a more transformative view of citizenship that was also more deeply embedded in ideas of radical democracy. Allied to democracy, new ideas of democratic governance beyond the nation-state, such as global civil society, and related conceptions of cosmopolitanism, brought additional dimensions onto the citizenship agenda, which has now become a major area of social research (Isin and Turner 2002). Central to this is the idea of cultural citizenship, the concern of this article. Citizenship is now seen as having a major impact on the cultural processes of society. In this, it is very different from the recent past when citizenship took for granted cultural questions and was, as in T. H. Marshall&#8217;s famous theory, a discourse of stability by which the modern state could achieve a degree of integration by compensating for the inequalities of class (Marshall [1949] 1992). This limited role is now inconceivable for citizenship, which has become irreversibly part of the transformative discourses of contemporary society. It has entered new conceptions of multiculturalism and cultural rights more generally (Kymlicka and Norman 2000, Stevenson 2000, Cowan et al. 2001). In these new approaches to citizenship, the problem of inclusion has become more acute as it must address the problem of culture and identity. It is possible to see a shift in emphasis away from a preoccupation with equality to a recognition of difference (Touraine 2000, Young 2002).</p>
<p>This last decade has also seen a governmentalization of the discourse of citizenship and community, which has become more and more a part of the nascent ideology of the Third Way (Delanty 2003). This wider societal turn to citizenship can be seen in part as a reaction to neoliberalism that, especially in the English-speaking world, dominated political discourse. The new ideas of citizenship, which have a strong resonance in third way politics, are different from the neoliberal idea of the individual as a consumer and older liberal notion of citizenship as a formal status. The emphasis is more on the duties of citizenship and engagement in civil society than on the traditional notions of rights. Undoubtedly, this has been connected with the revival of civil society theory and notions of empowerment. However, the governmental discourse has to a degree remained within the rights discourse, as is perhaps best illustrated by the example of European citizenship, as codified in the Maastricht Treaty.</p>
<p>It is in this context that the question of learning arises. The connection between learning and citizenship has become a highly topical issue in the last few years with many official initiatives for citizenship classes and learning civic values. The view is gaining widespread acceptance that citizenship is something that must be learnt and that rights must be accompanied by corresponding duties. However, the conceptualization of learning in this discourse is fraught with many problems, which will be identified in this article. Against the discourse of disciplinary citizenship that is implicit in the new governmental policies, an alternative conception of citizenship – cultural citizenship – is advocated.</p>
<h2>The governmentalization of learning and citizenship</h2>
<p>According to the UK Home Secretary, David Blunkett, &#8220;A political community can require new members to learn about its basic procedures and fundamental values&#8221; (<i>Guardian</i>, 26 October 2001). In what was seen by many critics and ethnic group leaders as an attack on multiculturalism, the Home Secretary argued for the introduction of US style citizenship classes with tests on language, history and culture for all immigrants wishing to apply for British citizenship. Mr Blunkett has continued to advocate the idea, believing it will impose a common public culture on all ethnic groups thus diluting allegedly non-western values and at the same time will overcome racial segregation in UK cities. These measures were also reflected in other developments in making citizenship a learning process. The Crick Report also planned on making citizenship a compulsory part of the secondary school curriculum from 2002. These measures will entail learning civic values such as that bullying is wrong, respect, understanding the workings of institutions such as the electoral and criminal justice system.</p>
<p>On 7 February 2002, the Home Secretary Blunkett presented the House of Commons with a White Paper entitled &#8220;Secure Borders, Safe Haven: Integration with Diversity in Modern Britain&#8221;. &#8220;People will need to show they can speak the language reasonably well and have grasped the basics of citizenship. We have neglected such induction for too long&#8221;, he argued (<i>Guardian</i>, 7 February 2002). The White Paper outlined the need for radical changes to the asylum system to ensure its effectiveness, fairness and integrity, but also plans on citizenship classes, including lessons in English, British politics and culture with the intention of making these classes compulsory for all immigrants wishing to take out British citizenship. There are also plans for a new oath to be taken by immigrants seeking British citizenship. It should be noted that these measures relate to the acquisition of citizenship as naturalization and will not be compulsory – indeed, many refugees have good reasons for not wishing to acquire it.</p>
<p>The White Paper has met with a mixed reaction from various citizen and ethnic groups. The idea that citizenship entails duties as well as rights and moreover has a deeper civic dimension that entails acceptance of common values is not something that is detrimental to multiculturalism. While the Home Secretary has been in part inspired by the need for a genuine citizenship policy, in other contexts citizenship classes have been more explicit, as in the Austrian proposal to have a compulsory cultural programme for immigrants. The Austrian government, which is composed of a coalition of the conservative People&#8217;s Party and the extreme right Freedom Party – are proposing to force all immigrants to take compulsory German language lessons and citizenship values. Clearly, such measures are not merely for the dissemination of German culture but have a disciplinary function. This disciplinary dimension is also not entirely absent from the UK government&#8217;s plans.</p>
<p>That there has been a &#8220;governmentalization&#8221; of citizenship as a learning process seems evident from such developments. In this Foucauldian sense of governmentalization, I mean to indicate that there has been a certain discursive coding of citizenship as a cognitive competence. In this discourse, citizenship is constructed by codes, categories and modes of classification that reflect a governmental strategy into which the individual as citizen is inserted. Thus, the immigrant becomes a citizen by participating in a discourse that redefines social relations according to fairly fixed categories. What is noticeable in this is that the language of citizenship and learning is taken over by the state and defined according to a set of rigid categories. The assumption, then, is that learning citizenship entails the learning of the official values of the polity and as interpreted by public officials. While it can hardly be denied that such policies can be beneficial and can enhance multiculturalism, there is the danger that in addition to having a disciplinary function they reduce learning processes to formal learning. One might quite well wonder how individual learning processes would convert into a collective learning. Presumably, the Home Secretary had something like this in mind, but had not considered the fact that no number of individual learning processes will amount to a collective learning outcome for the wider society. Collective learning processes operate on quite different levels and the relation between individual and collective learning is complex.</p>
<p>The remainder of this article will explore a different conception of learning and its relation to citizenship. It will be argued that a notion of cultural citizenship is preferable to the discourse of disciplinary citizenship that is implicit in governmental policies. We need to move to a more dynamic view of citizenship as entailing developmental processes of learning rather than the fixed, rule learning model implicit in disciplinary citizenship.</p>
<h2>Theorizing learning processes</h2>
<p>Any discussion about learning must begin with the recognition that learning occurs on different levels and that there are quite different kinds of learning. The way individuals learn is quite different from the way societies learn. Let us begin by addressing the question of what learning is and how individuals learn. Despite the rise of evolutionary psychology, most theories of learning today have moved beyond behavioural approaches. In the main approaches, learning is connected with the experience of contingency. In the terms of Luhmann&#8217;s systems theory, it is a reaction to uncertainty and takes the form of self-construction, or <i>autopoesis</i>. The aim of learning is the reproduction of a system. Complexity theory, itself influenced by systems theory, also sees learning as the attempt to reduce complexity in a situation of radical uncertainty. In rational choice theory, there is a similar assumption that individuals learn to maximize their preferences in a situation where choices have to be made under conditions of insufficient information. In these approaches, learning is rule learning but of a non-behavioural nature. Thomas Kuhn, in a different context, argued scientists learn how to solve problems but not how to innovate. In the Kuhnian approach, learning occurs within paradigms and is cumulative in history. Kuhn effectively presupposed a notion of collective learning in the history of science.</p>
<p>Against Kuhn&#8217;s reluctant concession to universalism, Habermas has argued that learning occurs simply because not-learning is not possible. In this approach, which is influenced by the cognitive and developmental psychology of Jean Piaget and Laurence Kohlberg, learning is the fundamental human trait and contains cognitive processes that cannot be reduced to rule learning or coping with the constraints of the external environment. Habermas has argued that the evolution of societies can be theorized in terms of the transformation of their cognitive complexes, moral consciousness and cultural systems. Thus, what is salient in this approach is learning as the capacity to learn, or learning how to learn. In addition, there is recognition that learning also entails the development and transformation of cognitive structures.</p>
<p>In mainstream sociological theory, it has been long held that learning occurs through patterns of socialization in the informal structures of everyday life and also via the formal structures of education. Such approaches strongly emphasized the linkages of individual and collective or societal learning processes. In Parsonian structural functionalism, such linkages were secured by the cultural system and were ultimately anchored in the &#8220;societal community&#8221;.</p>
<p>In view of the variety of conceptions of learning that are to be found in modern social thought, the term learning must be used with some circumspection. So what then is learning? I would like to propose a few tentative ideas. Learning entails cognitive processes that allow information to be combined in different ways to provide a subject – individual, a group, a society – to have a capacity for action. Learning may therefore entail learning to learn and thus a certain reflexivity, as in for example consciousness of learning, storing, retrieving, selecting and processing information. In this way, learning entails empowerment or the capacity of a subject to reproduce itself. To be emphasized, then, is the processual nature of learning, which is an open process defined in movement rather than in finality. This view of learning suggests a cultural dimension to it; that is, culture as a making or a doing. Learning involves agency on the part of the learning subject. The cognitive structures operate in learning processes connect different frames and codes. Learning is thus a cultural process of creation and construction.</p>
<p>It is important to see the learning component not just in individual terms but also as a medium of social construction by which individual learning becomes translated and co-ordinated into collective learning and ultimately becomes realized in social institutions. What is decisive in this is collective learning, which cannot be reduced to individual learning. In an insightful article on learning processes, Eder argues: &#8220;Learning changes either basic normative frames and beliefs that guide social action or the empirical knowledge of the world used as a resource in social action&#8221; (2001: 203). What is learnt on the collective level is very different from on the individual level. Again, drawing on Eder&#8217;s argument, which is derived from Habermas&#8217;s social theory of evolution and cognitive development: &#8220;The question is now what is learnt is narratively ordered situations which provide structure to social relations. Thus the institutionalization of knowledge has to be looked at, i.e. the production of knowledge and of social forms that collect and retain such knowledge beyond the capacity of individual memory&#8221; (Eder 2001: 203, see also Habermas 1979). Eder thus has in mind a differentiated conception of learning.</p>
<p>Building on Eder&#8217;s arguments, a differentiated view of learning would thus see it occurring on three levels. Firstly, it occurs on the level of the individual&#8217;s biography. This might be in self-knowledge, in interpersonal learning, in the construction of a personal narrative, etc. Secondly, learning occurs on the cultural level of collective learning where cultural narratives, symbolic forms and cognitive models provide interpretations of the world. This is a two-way process, as the cognitive achievements of the individual have to be translated into the cognitive forms on the one side and on the other individuals learn from the already existing cognitive forms of culture. Thirdly, there is the further social level on which the cultural learning level has to be embodied in an institutional form. It is on this level that evolution or social change occurs.</p>
<p>The relations between these three levels are complex and have not been fully worked out in social theory (see Habermas 1979; Miller 1986; Strydom 1987, 1992, 1993; Eder 1999). The following can be said to be the most important mapping mechanisms by which the different levels relate to each other:</p>
<p>- process – learning entails a movement; it is not static or simply reproductive, but generative;<br />
- connectivism – learning occurs by connecting different concepts, discourses, information rather than occurring within a closed paradigm;<br />
- development – the &#8220;processual&#8221; nature of learning leads to a development in competencies. In this sense, it is possible to speak of learning as entailing evolution as change;<br />
- construction – the developmental nature of learning suggests a process of construction going on; and<br />
- transformation – learning entails the potential transformation of the learning subject.</p>
<p>For present purposes, this tentative theorization of learning will suffice, since my aim is to explore the idea of cultural citizenship as a learning process.</p>
<h2>Cultural citizenship as a learning process</h2>
<p>What has hopefully emerged out of the foregoing analysis is a view of learning as processual and connective, but differentiated into different levels and which have overall a transformative impact on the learning subject, which can be an individual or society. I have argued for some recognition of the different nature of individual and collective learning processes, arguing individuals and collectivities learn in different ways. Making the connection with citizenship, my contention is that citizenship is a learning process. The advantage of theorizing cultural citizenship as a learning processes is that it shifts the focus of citizenship away from the fact of membership of a polity onto common experiences, cognitive processes, forms of cultural translation and discourses of empowerment. The power to name, create meaning, construct personal biographies and narratives by gaining control over the flow of information, goods and cultural processes is an important dimension of citizenship as an active process. What I want to stress in this regard is the <i>learning</i> dimension of citizenship and to see this as a <i>constructivist</i> process. Research has documented how citizens learn citizenship, which mostly takes place in the informal context of everyday and life and is also heavily influenced by critical and formative events in people&#8217;s lives. Citizenship is not entirely about rights or membership of a polity, but is a matter of participation in the political community and begins early in life. It concerns the learning of a capacity for action and for responsibility but, essentially, it is about the learning of the self and of the relationship of self and other. It is a learning process in that it is articulated in perceptions of the self as an active agency and a social actor shaped by relations with others. In this view, citizenship concerns identity and action; it entails both personal and cognitive dimensions that extend beyond the personal to the wider cultural level of society. It is possible to relate this understanding of citizenship to &#8220;life-long learning&#8221;, as citizenship is an on-going process that is conducted in communicative links.</p>
<p>As a learning process, citizenship takes place in communicative situations arising out of quite ordinary life experiences, but it can also arise of out major crises and catastrophes such as the experience of victimhood or injustice. It appears that an essential dimension of the cognitive experience of citizenship is the way in which individual life stories are connected with wider cultural discourses. Margaret Somers has described this as the narrative model of citizenship, for citizenship is sustained by narratives, both individual and collective, and consists of memories, shared values and experiences (Somers 1995).</p>
<p>I see this as a cognitive dimension in that citizenship is experienced as a practice that connects individuals to their society but in ways that are ultimately unclear and far-reaching. What I think is interesting is this cognitive dimension to citizenship, which goes beyond the institutional dimension of both rights and participation. We need more information, as well as theoretical tools, for understanding the cognitive dimension of citizenship. However, for present purposes it will suffice to note that one of the most important dimensions of citizenship concerns the language, cultural models, narratives, discourses that people use to make sense of their society, interpret their place in it, and construct courses of action.</p>
<p>The task of citizenship, as I see it, is to assist in enhancing the collective learning capacity of society. In this view, cultural citizenship has a transformative role to play not just in enhancing the cognitive competencies of the individual, but also in bringing about collective learning, which is always more than the aggregate of the learning of individuals.</p>
<p>It is in this context that the further connection of citizenship with strategies to oppose racism and xenophobia can be made. Much of the problem of widespread xenophobia is due to failures in learning mechanisms and can be counteracted by encouraging active, cultural citizenship that can lead to a transformation of the cultural models that constitute collective learning. My argument is the future of citizenship as a strategy to oppose xenophobia will have to cultivate what might be called a new language, or cognitive structures for learning. Only by generating a more discursive citizenship can the demoralization of life and social pathologies be overcome (Febrve 2000). Institutions cannot offer new models of social integration when the foundations of citizenship are absent or seriously disintegrated. The increase in demoralization, depression, suicide, stress, drug dependency, xenophobia and violence has led to a situation in which people no longer have a common language in which to communicate their experiences of deprivation, disrespect and the absence of &#8220;recognition&#8221;. This has been argued by Honneth (1996, 2002), Bourdieu et al. (1999), Fraser (Fraser and Honneth 2003) and Sennett (1998, Sennett and Cobb 1972) for whom the task is to create a new &#8220;habitus&#8221; or language in which collective experiences can be articulated. According to Bourdieu, the desire for recognition is one of the most basic features of social life. His sociology emphasizes the &#8220;symbolic violence&#8221; that comes from &#8220;mis-recognition&#8221;. While Bourdieu stresses symbolic struggles over cultural capital, others such as Sennett and Honneth have taken the question of recognition in a different direction and one that is fruitful for the idea of citizenship as a discourse of empowerment. Sennett and Honneth, in different ways, have demonstrated that many people&#8217;s experiences of life, especially relating to the world of work in the flexible economy, have made them feel superfluous, with which goes a feeling of an absence of recognition. The result of this loss in recognition is, it may be suggested, the source of much of xenophobia.</p>
<p>While this can be amplified by more overt racist ideologies and political organizations, a great deal of research indicates that much of the electoral support the extreme right draws on is more one of political and social dissatisfaction than ideological racism. The rise of Third Way politics has created an ideological vacuum that is filled by xenophobic fears and are amplified by the extreme Right. However, the extreme Right ultimately rests on a fragile &#8220;discourse coalition&#8221; that can easily be challenged (Delanty and O&#8217;Mahony 2002). As stated earlier, xenophobia is to be understood as an expression of social fears rather than residing in essentially cultural discourses. While it is very often supported by cultural prejudices – such as the ordinary (and not so ordinary) ethnocentricism – that is to varying degrees part of most national cultures, the argument is that xenophobia can be challenged and counteracted by an active citizenship. In this sense, then, citizenship must go beyond a rights discourse to address more participatory and, more importantly, moral and cognitive issues.</p>
<p>Creating discourses for the expression of communicative competencies would appear to one of the main challenges facing the revival of citizenship today. As a communicative medium, citizenship is still an important source of articulating less shared values than moral experiences. In order to build up self-esteem, selfrespect and autonomous human beings, citizenship needs to be more discursively mobilized. Citizenship must be able to give voice to personal identities, rather than being seen as a cultural expression of collectivities or spatial categories to be organized into recipients of state services. This is more than a task of citizenship as a means of coping with diversity alone; it is also an active learning process. It concerns the task of learning to give new definitions to work, social relations, and the material environment. As a consciousness-raising discourse, in which flexibility might be challenged by reflexivity, citizenship can become an important means of cognitive transformation of self and other.</p>
<p>The argument put forward here is that culture and citizenship must be seen as connected in a cognitive relationship by which learning processes in the domain of citizenship are transferred to the cultural dimension of society. Cultural citizenship needs to be tied more closely to discourses of recognition in order to empower people in their own self-understanding, sense of belonging and identity.</p>
<p>Perhaps this is the chance for a new definition of European cultural identity. Until now, European identity has been defined in ways that do not address the question of belonging and of citizenship more generally. It has in general been conceived in highly cultural terms – the idea of European civilization – or as technocratic discourse, as in for example the &#8220;acquis communitaire&#8221;. Indeed, much of the interest in the European cultural identity has been inspired by the need for the EU to construct a strong identity in order to demarcate itself from the outside, as in, for example, the Copenhagen 1973 Declaration on European Identity. Inevitably, this has led to a divisive kind of identity, which has been internally reproduced in defensive identities (Delanty 1995).</p>
<p>Unless &#8220;Europe&#8221; can articulate a vision of society, it will not be able to offer any resistance to the rising tide of xenophobia. This is particularly the case as the EU grows in size in the coming decade. Neither disciplinary policies of citizenship nor moral arguments alone are insufficient to counteract xenophobia. It also needs to be stated that arguments for the recognition of cultural diversity alone will not be adequate. The proposal made in this paper is that European cultural identity might be tied more closely to discourses of belonging. By making citizenship more discursive, some of the sentiments that tend to support xenophobia might be dissipated. Common ground, like social integration more generally, in complex societies such as the EU can only be communicative rather than being based on a form of life, on markets or even on the simple fact of pluralization. Anti-racist values do not simply exist in an already developed form, requiring merely their transmission into the minds of people. It is in this respect that citizenship must be seen as a learning process that occurs on the cultural level of society and is not merely, therefore, an educative process as might be indicated by notions of life-long learning.</p>
<h2>Conclusion</h2>
<p>In this paper, a view of citizenship has been advocated that differs strongly from the dominant liberal discourse of citizenship that has more recently become indistinguishable from what has been called the disciplinary citizenship implicit in recent official policy documents. The article has identified learning as a key dimension of citizenship. Against disciplinary citizenship, the argument has led to a notion of cultural citizenship conceived of in terms of learning processes that have a developmental and transformative impact on the learning subject.</p>
<h2>References</h2>
<p>COWAN, J. K., DEMBOUR, M.-B. and WILSON, R. A. (eds) (2001) <i>Culture and Rights: Anthropological Perspectives</i> (Cambridge: Cambridge University Press).<br />
DELANTY, G. (1995) <i>Inventing Europe: Idea, Identity, Reality</i> (London: Macmillan).<br />
DELANTY, G. (2000) <i>Citizenship in a Global Age</i> (Buckingham: Open University Press).<br />
<i>DELANTY, G. (2003)</i> Community (London: Routledge).<br />
DELANTY, G. and O&#8217;MAHONY, P. (2002) <i>Nationalism and Social Theory</i> (London: Sage).<br />
EDER, K. (1999) Societies learn and yet the world is hard to change. <i>European Journal of Social Theory</i>, 2(2), 195-215.<br />
FEBRVE, R. (2000) <i>The Demoralisation of Western Culture: Social Theory and the Dilemmas of Modern Living</i> (New York: Continuum).<br />
FRASER, N. and HONNETH, A. (2003) <i>Recognition or Redistribution? A Political-Philosophical Debate</i> (London: Verso Press).<br />
HABERMAS, J. (1979) <i>Communication and the Evolution of Society</i> (London: Heinemann).<br />
HONNETH, A. (1995) <i>The Struggle for Recognition</i> (Cambridge: Polity Press).<br />
HONNETH, A. (2002) An interview with Axel Honneth: the role of sociology in the theory of recognition. <i>The European Journal of Social Theory</i>, 5(2).<br />
ISIN, E. and TURNER, B. (eds) (2002) <i>Handbook of Citizenship Studies</i> (London: Sage).<br />
ISIN, E. and WOOD, P. (1999) <i>Citizenship and Identity</i> (London: Sage).<br />
KYMLICKA, W. (1995) <i>Multicultural Citizenship: A Liberal Theory of Minority Rights</i> (Oxford: Clarendon Press).<br />
KYMLICKA, W. and NORMAN, W. (eds) (2000) <i>Citizenship in Diverse Societies</i> (Oxford: Oxford University Press).<br />
MARSHALL, T. H. (1992) <i>Citizenship and Social Class</i> (London: Pluto Press).<br />
MILLER, M. (1986) <i>Kollektive Lernprozesse: Studien zur Grundlegung einer soziologischen Lerntheorie</i> (Frankfurt: Suhrkamp).<br />
SENNETT, R. (1998) <i>The Corrosion of Character: The Personal Consequences of Work in the New Capitalism</i> (New York: Norton).<br />
SENNETT, R. and COBB, J. (1972) <i>The Hidden Injuries of Class</i> (Cambridge: Cambridge University Press).<br />
SOMERS, M. (1995) Narrating and naturalizing civil society and citizenship theory: the place of political culture and the public sphere. <i>Sociological Theory</i>, 13(3), 229-274.<br />
STEVENSON, N. (ed.) (2000) <i>Culture and Citizenship</i> (London: Sage).<br />
STRYDOM, P. (1987) Collective learning: Habermas&#8217;s concessions and their implications. <i>Philosophy and Social Criticism</i>, 13(3), 265-281.<br />
STRYDOM, P. (1992) The ontogentic fallacy. <i>Theory, Culture and Society</i>, 9, 65-93.<br />
STRYDOM, P. (1993) Sociocultural evolution or the social evolution of practical reason?: Eder&#8217;s critique of Habermas. <i>Praxis International</i>, 13(3), 304-322.<br />
TOURAINE, A. (2000) <i>Can We Live Together? Equal and Different</i> (Cambridge: Polity Press).<br />
YOUNG, M. (2002) <i>Inclusion and Democracy</i> (Oxford: Oxford University Press).</p>
<p><i>This article was first published in</i> International Journal of Lifelong Education<i> ISSN 0260-1370 print/ISSN 1464-519X online © 2003 Taylor &amp; Francis Ltd. </i></div>
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		<title>Post-secular Europe</title>
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		<description><![CDATA[http://www.eurozine.com/comp/focalpoints/postseceurope.html José Casanova Religion, European secular identities, and European integration Post-secular Europe? The rapid process of secularization in western Europe has not diminished the unease with which Europe considers Islam and Muslims in its midst. In this benchmark essay from 2004, José Casanova argues that the &#8220;Islam problem&#8221; is an indicator of the disparity between [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cecileguedon.wordpress.com&amp;blog=2107847&amp;post=20&amp;subd=cecileguedon&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.eurozine.com/comp/focalpoints/postseceurope.html">http://www.eurozine.com/comp/focalpoints/postseceurope.html</a></p>
<div class="author">José Casanova</div>
<h1><a href="http://cecileguedon.wordpress.com/articles/2004-07-29-casanova-en.html"><font color="#2d4592">Religion, European secular identities, and European integration</font></a></h1>
<p class="subTitle"><font color="#2d4592"></font></p>
<p><span class="category"><strong><font size="2" color="#272727">Post-secular Europe?</font></strong></span> The rapid process of secularization in western Europe has not diminished the unease with which Europe considers Islam and Muslims in its midst. In this benchmark essay from 2004, José Casanova argues that the &#8220;Islam problem&#8221; is an indicator of the disparity between liberal and illiberal strands of European secularism.</p>
<div class="author">Danièle Hervieu-Léger</div>
<h1><a href="http://cecileguedon.wordpress.com/articles/2006-08-17-hervieuleger-en.html"><font color="#2d4592">The role of religion in establishing social cohesion</font></a></h1>
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<p><span class="category"><strong><font size="2" color="#272727">Religion and society</font></strong></span> Nostalgic references to a religious past will not help solve the question of a &#8220;European soul&#8221;. Yes, this past is both glorious and painful, but it no longer exists, writes Danièle Hervieu-Léger. Instead, the weakening of the foundations of religion could prove to be a good starting point for a more specific reconsideration of European religious heritage.</p>
<div class="author">Klaus Eder</div>
<h1><a href="http://cecileguedon.wordpress.com/articles/2006-07-07-eder-de.html"><font color="#2d4592">European secularization: A special route to post-secular society?</font></a></h1>
<p class="subTitle"><span class="category"><strong><font size="2" color="#272727">Religion and public sphere</font></strong></span> Post-secular society is the contradictory and uncontrollable counterpart of the secular state. Both are accelerated and regulated by a third actor: a public sphere formed by the mass media.</p>
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<p class="headline2right">Seyla Benhabib, Giancarlo Bosetti</p>
<h1 class="headline2right"><a href="http://cecileguedon.wordpress.com/articles/2005-09-19-benhabib-en.html"><font color="#2d4592">Beliefs in the US. Between new fears and old responses</font></a></h1>
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<p class="headline2right"><span class="category"><strong><font size="2" color="#272727">Europe and the US</font></strong></span> On the differing roles of religion in the public sphere in the US and Europe: &#8220;Have you ever heard the German chancellor say &#8216;God bless Germany&#8217;?&#8221; Reset editor-in-chief Giancarlo Bosetti talks to Seyla Benhabib.</p>
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<div class="author">Burkhard Müller</div>
<h1><a href="http://cecileguedon.wordpress.com/articles/2007-01-31-bmuller-de.html"><font color="#2d4592">The concept of God &#8211; and why we don&#8217;t need it</font></a></h1>
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<p><span class="category"><strong><font size="2" color="#272727">Atheism</font></strong></span> In these newly religious times, it no longer seems superfluous to rearm the atheists with arguments. When push comes to shove, atheists can only trust their reason.</p>
<div class="author">Ernest Gellner</div>
<h1><a href="http://cecileguedon.wordpress.com/articles/2000-08-28-gellner-en.html"><font color="#2d4592">Religion and the profane</font></a></h1>
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<p><span class="category"><strong><font size="2" color="#272727">Islam and Marxism</font></strong></span> &#8220;The difference between the success of Islam and the failure of Marxism is that [...] Islam never claimed that work is sacred.&#8221; Ernest Gellner, speaking in 1995, draws surprising comparisons between Marxism and Islam.</p>
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